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MUSEUM OF MODERN ART (ARCH. YOSHIO TANIGUCHI, 2003), NEW YORK
MUSEUM OF MODERN ART (ARCH. YOSHIO TANIGUCHI, 2003), NEW YORK
Y. TANIGUCHI, NEW YORK: “STREET MUSEUM”
FLOOR PLAN
A. BARR JR: “MEMORIAL EXHIBITIONS, THE COLLECTION OF THE LATE MISS P.BLISS” HECKSCHER BUILDING, 1930
A. BARR JR: “ART IN OUR TIME TENTH ANNIVERSARY EXHIBITION” P.GOODWIN, E.STONE, MOMA BUILDING, 1939
Y.TANIGUCHI, NEW YORK: “GALLERY TYPE 1”
Y.TANIGUCHI, NEW YORK: “GALLERY TYPE 2”
Y.TANIGUCHI, NEW YORK: “C. MARRON ATRIUM”
PICASSO WALL DISPLAY
“PICASSO WALL”
“PICASSO CORNER”
GOODWIN&STIONE, MAIN FACADE TO 53 TH STREET,1939
GOODWIN&STIONE, GARDEN TO 54TH STREET,1939
A.BARJR, ART IN OUR TIME, 1939
A.BARR JR, DIAGRAM PROPOSING THE ORIGINS AND EVOLUTION OF ABSTACT ART COVER FOR CUBISM AND ABSTRACT ART, 1939
PH JOHNSON, 53TH STREET FRONT,1954
PH JOHNSON, INTERIOR TO GARDEN, 1954
PH JOHNSON INTERIOR TO 53TH STREET,1954
RENÉ D'HARNACOUR, SKECHT FOR ART OF THE SOUTH SEAS 1949
C.PELL,VIEW FROM GARDEN, 1984I
C.PELLI, TOWER, 1984
GOODWIN&STIONE, MAIN ENTRANCE 53 TH STREET,1939
J.TANIGUCHI, MAIN ENTRANCE, 53TH STREET, 2005
SCOFIDI&RENFRO, MAIN ENTRANCE 53TH STREET, 2019
J.TANIGUCHI,53TH STREET ELEVATION, 2005
J. TANIGUCHI,54 TH STREET VIEW FROM W, 2005
J. TANIGUCHI, 54TH STREET VIEW FROM E, 2005
J. TANIGUCHI,ENTRANCE 54TH STREET, 2005T
J. TANIGUCHI, NE SIDE, 2005
J. TANIGUCHI, GARDEN, 2005
J.TANIGUCHI, MAIN ENTRANCE AND BOOK STORE 53TH STREET, 2005
SCOFIDI&RENFRO, 53TH STREET FRONT, 2019
SCOFIDI&RENFRO, HALL TO GARDEN, 2019
SCOFIFI&RENFRO, BOOKSTORE AND TICKETS WAITING, 2019
J.TANIGUCH, 54TH STREET ELEVATION
J.TANIGHUCI, MARION ATRIUM, 2005
53 TH VIEW, 2017
""In un appartamento di sei stanze al dodicesimo piano dello Hekscher Building, "The Ladies" inaugurano nel Novembre 1929, con la direzione di Alfred H. Barr Jr, "Cézanne, Gauguin, Seurat, van Gogh", la prima delle esposizioni previste nei successivi due anni dall'appena istituito Museum of Modern Art."" N. Ventura, 2021
"The three principal museum typologies of nineteenth century are the temple, the palace, and the exposition hall". G.D. Lowry 1998
A.H BARR JR, 1929-1949
"The primary purpose of the Museum is to help people to enjoy, understand and use visual arts of our time." A.Jr. Barr, 1929
"The Museum of Modern Art is a laboratory: in its experiments the pubblic is invited to partecipate." A. Jr Barr, 1939
FROM HECKSCHER BUILDING (1929) to SCOFIDI&RENFRO (2019)
R. D'HANOUNCOURT 1949-1967
"he (R. D'Halancourt "learned" the artworks by sketching them, and then he amassed them with the intention "to relate the individual pieces to their cultural and/or artistic neighbors…in other words, to assemble objects that had some affinities."
"The museum's midblock location distinguishes it from other major New York city museums, most of which are located on the wider avenues and farther to the north. As a "street museum", it is not identified as an object surrounded by space, but as a part of the streetscape". G.D. Lowry, 1998
1929-1939 The first ten years
1940-1953 The Road to Victory
1954-1963 Master of Modern Art
1965-1972 Word and Image
1973-1984 Trasfomations
1985.1994 Allegories of Modernism
1995-2004 Modern Contemporary
""Con l'intervento di Taniguchi, lo street museum č diventato the dual street museum tra la 53th e la 54th, quasi una avenue pedonale "passante", di libera circolazione. Scofido&Renfro hanno proposto nuovi spazi alla cittŕ,dal giardino a sale di accoglimento sia verso la 53th street presso la biglietteria e il bookstore, sia affacciate sul giardino"." N. Ventura, 2022
""All'architettura di Goodwin&Stone in dichiarato international style segue l'espansione di Jonhson che guarda al Mies americano, poi Pelli si rivolge alla serra per distendere verso il giardino l'edificio di Goodwin&Stone e insieme collegarsi alla Museum Tower." Nel 1949, A.Barr jr, viene sostituito nella direzione da R.D' Hanouncourt." N. Ventura, 2022
“GIACOMETTI PIEDESTAL” (ALBERTO GIACOMETTI, LE CHIEN, 1951, BRONZE 46 X 98 X 15)
CORNER
“MONDRIAN CORNER”
“BRANCUSI PIEDESTAL”
“POP GALLERY”
Y. TANIGUCHI, NEW YORK: “SHOWCASES”
“CUBISM WALL”
“SUPREMATIST WALL” 2013
“SUPREMATIST WALL DISPLAY” 2014
“SUPREMATIST WALL” 2014
MUSEUM OF MODERN ART (ARCH. YOSHIO TANIGUCHI, 2003), NEW YORK ph2013-2014
“GIACOMETTI PIEDESTAL” (ALBERTO GIACOMETTI, LE CHIEN, 1951, BRONZE 46 X 98 X 15)
CORNER
“MONDRIAN CORNER”
“BRANCUSI PIEDESTAL”
“POP GALLERY”
Y. TANIGUCHI, NEW YORK: “SHOWCASES”
“CUBISM WALL”
“SUPREMATIST WALL” 2013
“SUPREMATIST WALL DISPLAY” 2014
“SUPREMATIST WALL” 2014
Y. TANIGUCHI, NEW YORK: “54TH STREET”
GROUND FLOOR PAN
Y. TANIGUCHI, NEW YORK: “FIRST FIGHT” (ARTHUR YOUNG, BELL-47D1 HELICOPTER, 1945)
Y. TANIGUCHI, NEW YORK: “ FROM 54TH TO 53TH STREET”
Y.TANIGUCHI, NEW YORK: “HALL TO THE GARDEN” (AUGUSTE RODIN, MONUMENT POUR BALZAC, 1898, BRONZE 269X122,5X10
Y. TANIGUCHI, NEW YORK: “53TH STREET”
J. MCANDREW, A. BARR JR: “SCULPTURE GARDEN”, 1939
Y. TANIGUCHI, NEW YORK: “POOL GARDEN”
Y. TANIGUCHI, NEW YORK: “BACK SIDE”
Y. TANIGUCHI, NEW YORK: “EAST CORNER”
Y. TANIGUCHI, NEW YORK: “POOL BRIDGE”
P. JHONSON, “TEN AUTOMOBILES”,1953
Y. TANIGUCHI, NEW YORK: “FIRST FIGHT” (ARTHUR YOUNG, BELL-47D1 HELICOPTER, 1945)
Y. TANIGUCHI, NEW YORK: “ FROM 54TH TO 53TH STREET”
Y. TANIGUCHI, NEW YORK: “FIRST FIGHT” (ARTHUR YOUNG, BELL-47D1 HELICOPTER, 1945)
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