Fondación MAPFRE, Barcelona trough 26 01 25
HENRI CARTIER-BRESSON (1908-2004)
"Dance with daemons"
"Cloud crhonicles"
"The lateness of the hour"
"All my love spilling over",
"Echoes unbound"
" Home of the stranger"
"I can't tell if this login is my own"
"Ghost dreams"
"What time is heaven"
"Misty Spires"
"Streaming from our eyes"
"Melting mirrors"
"Past lives"
"Yaldabaouth"
"The richness of going slowly"
"Summer is over"
Concept by Sam Keller
and others
FONDAZIONE HOSPICE MARIA TERESA CHIANTORE SERAGNOLI ONLUS
"Je nai cherchè pendan to tout ma vie que l'essense de vol. Le vol, que bonheur?" Costantin Brancusi
AFRODITE URANIA TEMPLE, SEGESTA,430-420 BC
RICHARD SERRA, PROMENADE, GRAND PALAIS, PARIS, 2008 (five pieces, weartherproof stell, 17mtx4x5cm)
CA' MOLIN, CAMPO SAN MAURIZIO, VENEZIA
PORTUGAL N236-1 between FIGUERO' DOS VINHOS and CASCANHEIRA DE PERA
KENZO KUMA, VICTORIA&ALBERT MUSEUM OF DESIGN, DUNDEE 2018
"It is often said that culture is the sum total of the stories we tell ourselves, about ourselves. Whilst it is true, what is missing in the statement is any acknowledgement of who the ‘we’ in question is. In architecture particularly, the
dominant voice has historically been a singular, exclusive voice, whose reach and power ignores huge swathes of humanity – financially, creatively, conceptually – as though we have been listening and speaking in one tongue only.
(...) For the fist time, the spotlignt has fallen on Africa and the African diaspora, that fluid and emmeshed culture of people of African descent that now straddles the globe. " (L. Lokko)
LE CORBUSIER, NOTRE-DAME DU HAUT, RONCHAMP, 1955
AFRODITE URANIA TEMPLE, SEGESTA,430-420 BC
NORMAN FOSTER, REPSOL SERVICE STATION, SPAIN, 1997
P. PICASSO, GUERNICA, 1936-37 (oil on canvas, 3.49x7.77mt), MUSEO SANTA SOFIA, MADRID
SANTA MARIA ASSUNTA E SANTA GIUSTINA CATHEDRAL, PIACENZA 1122
800 YEARS: GOTHIC CATHEDRAL, BURGOS 2022
VIRGIN MARIA CATHEDRAL,BURGOS 1260
BIOMEDIEN, KARLSRUHE
59.BIENNALE, VENEZIA
A. KIEFER, VENEZIA
DOCUMENTA 15, KASSEL
"BioMedien provides insights into possible modes of cohabitation with artificial life forms and investigates the future of our entanglements with technological assemblages.
The existence of organic life and artificial agents are not mutually exclusive. Instead, »BioMedia« proposes to imagine our relationship with artificial agents in multiple strands of interdependency". Bio Media/ ZKM
“Il latte dei sogni prende il titolo da un libro di favole di L. Carrington.(...) Come prima donna italiana a rivestire questa posizione, mi riprometto di dare voce ad artiste e artisti perrealizzare progetti unici che riflettano le loro visioni e la nostra società.” C. Alemani
Anselm Kiefer:"Questi scritti, quando verranno bruciati, daranno finalmente un po' di luce" (Andrea Emo).
Zonemod
"ruangrupa is curating the fifteenth edition of the documenta. The Jakarta artist collective based its documenta fifteen on the values ?and ideas of lumbung (Indonesian term for a common rice paddy). As an artistic and economic model, lumbung is based on principles such as collectivity, joint
construction of resources and equitable distribution and is carried out in all areas of cooperation and staging". Documenta Fifteen
MARIO CODUSSI, BARTOLOMEO BON, JACOPO SANSOVINO, LE PROCURATIE VECCHIE, VENEZIA 1500-1532
LE CORBUSIER, LA MAIN OUVERT, CHANDIGARH 1952-1963
"Peace is not absence of war: it is a virtue, a state of mid, an inclination toward benevolence" Baruch Spinoza, 1670
"Imagine there's no countries
It isn't hard to do
Nothing to kill or die for
And no religion too
Imagine all the people
Living life in peace"
J. Lennon 1971
AMON GREAT TEMPLE, KARNAK, XVIII DYNASTY (1386-1349 B.C.)
LUDVIG MIES VAN DER ROHE, NEU NATIONAL GALERIE, BERLIN 1968
opening exhibition, ALEXANDER CALDER, MINIMAL-MAXIMAL, 22.08.2021- 13.02.2022
LE CORBUSIER, OBJECT à REACTION POETIQUE
R. MONEO, MUSEO NACIONAL DE ARTE ROMANO, MERIDA 1986
LE CORBUSIER, VILLE SAVOYE, POISSY 1931
MAUSOLEO DI AUGUSTO, CAMPO MARZIO, ROMA 28 BC
TOYO ITO, TIKEN YAMAMOTO, ROSHI NAJTA, KENGO KUMA, KAZUJO SEIJMA
HOME FOR ALL (MINNA NO IE), RIKUZENTAKATA, 2012
SALA DEI PRIMITIVI, GALLERIE DELL'ACCADEMIA, VENEZIA 2020 (CARLO SCARPA, 1950)
SANAA, BOCCONI CAMPUS, MILAN 2019
KLAUSER & STREIT KUNSTHALLE, BERN 1918
RENZO PIANO BUILDING WORKSHOP, POLCEVERA VIADUCT, GENOVA 2020
ARTEMIUS OF TRALLER, ISIDORUS OF MILETO, HAGIA SOPHIA BASILICA, CHURCH OF THE HOLY WISDOM, COSTANTINOPOLI VI SEC. (CONSTANTINO I, 325 AD)
LUIS KHAN, NATIONAL ASSEMBLY BUILDING, DHAKA,1974
UNIVERSITA' DELLE CALABRIE, COSENZA 1973
SAN MARINO TERMINAL, SAN MARINO1981
CANTIERI ACTV, VENEZIA 1980
RESIDENZA ECONOMICA POPOLARE, CEFALU' 1979
RISTRUTTURAZIONE URBANA AREA GARIBALDI, MILANO1979
WESTERN WEI PERIOD, 6TH CENTURY (restored 1980)
D. SCOFIDIO + RENFRO, MoMA EXPANSION, 2019
Ph. Elif Unsal
RICHARD CASSELS, NEWMAN HOUSE, DUBLIN 1738-1765
DAS GRUNE BAND, DEUTSHLAND 2019
MAO ZEDONG MAUSOLEUM, BEJING 1977
WALTER GROPIUS, BAUHAUS, DESSAU, 1926
CA' MOLIN, VENEZIA, XV SEC.
1999, "50 YEARS OF AN IDEA, CELEBRATING CHANDIGARH"
LE CORBUSIER, CAPITOL, CHANDIGARH, 1951-1963
COSTANTINO DARDI, STAZIONE AGIP, MESTRE-BAZZERA, 1971
HENRY MOORE, LARGE DECLINING FIGURE, 1984 (fiberglass, 340x900x310)
MIES Van Der ROHE, FARNSWORTH HOUSE, PLANO, 1950
EL KHASNETH, PETRA (first centuries BC to AD)
OSCAR NIEMEYER, CASA DAS CANOAS, RIO DE JANEIRO 1951
SHAN JAHAN, MULLA MURSHID, THE TAJ MAHAL, AGRA 1654
HREINN FRIOFINNSSON, FOURTH HOUSE OF THE HOUSE PROJECT SINCE 1974
MARIA MINUIJIN, THE PARTHENON OF BOOKS, 2017
HERZOG&DE MEURON, FONDAZIONE FELTRINELLI, 2016
ARISTOTLE'S LYCEUM, 4TH CENT. BC (archaeologist E. Lygouri 1996, architect N. Sakka 2014)
"progettare per me è l'arte del dubbio"
UN EVENTO DI ÁLVARO SIZA, SACRO, MAXXI, ROMA (until 26 03 2017)IL GRAN TOUR. ÁLVARO SIZA IN ITALIA 1976-2016, ACCADEMIA DI SAN LUCA, ROMA (until 25 02 2017)
BENEDETTO DA MAIANO, PALAZZO STROZZI, FIRENZE 1490-1504
GERMAN PAVILION, DEUTCHES ARCHITEKTURMUSEUM
ROBERT SMITHSON, SPIRAL JETTY, SALT LAKE UT (USA), 1970
